Participatory Experimentation in Art and Anthropology
DOI:
https://doi.org/10.3989/rdtp.2016.01.001.06Keywords:
Art, Collaboration, Participation, ExperimentationAbstract
The following article reflects on the two fundamental concepts dealt with in this section: the experimental and the collaborative dimensions. I shall approach each of these in turn, resorting, however, to a different perspective from the one proposed in the introduction, namely through art. From this angle, I shall offer more general considerations about experimental collaboration in anthropology.
Downloads
References
Battaglia, Deborah. 1999. «Towards an Ethics of the Open Subject: Writing Culture in Good Conscience», en Henrietta Moore (ed.), Anthropological Theory Today: 111-150. Cambridge: Polity Press.
Bishop, Claire. 2012. Artificial Hells: Participatory Art and the Politics of Spectatorship. Londres y Nueva York: Verso.
Bourriaud, Nicolas. 1998. Esthétique relationnelle. Dijon: Les Presses du réel.
Breton, André. 1937. L'amour fou. Paris: Gallimard.
Cage, John. 1961. Silence: Lectures and Writings. Middleton, Con.: Wesleyan U. P.
Clifford, James. 1988. The Predicament of Culture. Twentieth Century Ethnography, Literature, and Art. Cambridge, Mass.: Harvard University Press.
Evans-Pritchard, Eduard E. 1937. Witchcraft, Oracles, and Magic among the Azande. Oxford: Oxford U.P.
Foster, Hal. 1995. «The Artist as Ethnographer?», en George E. Marcus y Fred Myer (eds.), The Traffic in Culture: Refiguring Art and Anthropology: 302-309. Berkeley: University of California Press.
Kester, Grant. 2011. The One and the Many: Contemporary Collaborative Art in a Global Context. Durham: Duke University Press. http://dx.doi.org/10.1215/9780822394037
Latour, Bruno. 2001. La esperanza de Pandora. Ensayos sobre la realidad de los estudios de la ciencia. Barcelona: Gedisa.
Latour, Bruno. 2015. «¿El cosmos de quién?, ¿qué cosmopolítica? Commentarios sobre los términos de paz de Ulrich Beck». Pleyades 14: 43-39.
Lévy-Bruhl, Lucien. 1911. Les fonctions mentales dans les societies inferieures. Paris: Presses Universitaires de France.
Malinowski, Bronislaw. 1978 [1922]. Argonauts of the Western Pacific. Nueva York: Routledge. PMCid:PMC222239
Marcus, George E. 2000. Para-Sites: A Casebook Against Cynical Reason. Chicago: The University of Chicago Press.
Marcus, George E. 2010. «Contemporary Fieldwork Aesthetics in Art and Anthropology: Experiments in Collaboration and Intervention». Visual Anthropology 23: 263–277. http://dx.doi.org/10.1080/08949468.2010.484988
Marcus, George y Fred Myers (eds.) 1995. The Traffic in Culture. Berkeley: University of California Press.
Mauss, Marcel. 1971. Sociología y antropología. Taurus: Madrid.
Miessen, Marcus. 2011. The Nightmare of Participation. Berlin: Sternberg Press. PMid:21719086
Rheinberger, Hans-Jörg. 1997. Towards a History of Epistemic Things. Stanford: Stanford University Press.
Rivoal, Isabelle y Noel B. Salazar. 2013. «Contemporary Ethnographic Practice and the Value of Serendipity». Social Anthropology 21(2): 178–185. http://dx.doi.org/10.1111/1469-8676.12026
Sansi, Roger. 2015. Art, Anthropology and the Gift. Londres: Bloomsbury Publishing. PMid:26476379
Stengers, Isabelle. 2010 Cosmopolitics I. Minneapolis: University of Minnesotta Press.
Stocking, George. 1992. The Ethnographer's Magic and Other Essays. Madison: University of Wisconsin Press.
Strathern, Marilyn. 1988. The Gender of the Gift. Berkeley: University of California Press.
Strathern, Marilyn (ed.). 2000. Audit Cultures: Anthropological Studies in Accountability, Ethics and the Academy. Londres y Nueva York: Routledge.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2016 Consejo Superior de Investigaciones Científicas (CSIC)
This work is licensed under a Creative Commons Attribution 4.0 International License.
© CSIC. Manuscripts published in both the print and online versions of this journal are the property of the Consejo Superior de Investigaciones Científicas, and quoting this source is a requirement for any partial or full reproduction.
All contents of this electronic edition, except where otherwise noted, are distributed under a Creative Commons Attribution 4.0 International (CC BY 4.0) licence. You may read the basic information and the legal text of the licence. The indication of the CC BY 4.0 licence must be expressly stated in this way when necessary.
Self-archiving in repositories, personal webpages or similar, of any version other than the final version of the work produced by the publisher, is not allowed.
