Techno-ecologies of presence and the afro-indigenous opening
DOI:
https://doi.org/10.3989/dra.2021.015eKeywords:
Media, Ecology, Forest, Internet, Body, Religion, Afroindigenous PeoplesAbstract
In this article, we propose to conceive the rainforest and the Internet as techno-ecologies of the presence, that is, devices and contexts of relation aimed at making the Other present. We focus on ways of generating co-presentiality that, in a physical or virtual manner, precede the communicative field. In other words: we suggest that the forms of relationship between those present constitute the genesis (not the result) of media. Comparing some of the creative communicative uses that Afro-indigenous groups make of the rainforest and of the Internet, we depart from the idea of the“communication media” as mere technological mediator among people. As an alternative, we adopt a relational and ontogenetic perspective of media, paying attention to how socio-ecological relations create fields of co-presentiality and communication. Moving our attention from the technical nature of the media towards its practical genesis and social transformability, our ethnographic cases show how media, as techno-ecologies of presence, are configured, reinvented, and permanently opened to the incorporation of the difference.
Downloads
References
Aristóteles. 2001 [349 A.C.]. Ética a Nicómaco. Madrid: Alianza Editorial
Arregui, Aníbal G. 2020. «Conectando con la Amazonia transparente. El cuerpo Afroindígena y la communicación más allá de las élites». Revista Española de Antropología Americana 50: 291-306. https://doi.org/10.5209/reaa.70442
Arregui, Aníbal G. 2021. «The Quilombola Movement: Sensing Futures in Afroindigenous Amazonia». Ethos 48: 336-356. https://doi.org/10.1111/etho.12280
Bateson, Gregory. 1972. Steps to an Ecology of Mind. Londres: Jason Aronson Inc.
Canals, Roger. 2017. A Goddess in Motion. Visual Creativity in the Cult of María Lionza. Nueva York: Berghahn Books. https://doi.org/10.2307/j.ctvw04hr6
Goldman, Marcio. 2014. «A relação afroindígena». Cadernos de Campo 23: 213-222. https://doi.org/10.11606/issn.2316-9133.v23i23p213-222
Hadden, Jeffrey K. y Douglas E. Cowan (eds.). 2000. Religion on the Intrenet: Research Prospects and Promises. Nueva York: JAI.
Kopenawa, Davi y Bruce Albert. 2013. The Falling Sky. Words of a Yanomami Shaman. Cambridge, Massachussets: The Belknap Press of Harvard University Press. https://doi.org/10.4159/harvard.9780674726116
Meyer, Birgit (ed.). 2009. Aesthetic Formations. Nueva York: Palgrave Macmillan. https://doi.org/10.1057/9780230623248
Sauma, Julia. 2014. «Entrosar-se, uma reflexão etnográfica afroindígena». Cadernos de Campo 23: 257-270. https://doi.org/10.11606/issn.2316-9133.v23i23p257-270
Shannon, Claude. 1948. «A Mathematical Theory of Communication». The Bell System Technical Journal 27: 379-423, 623-656. https://doi.org/10.1002/j.1538-7305.1948.tb00917.x
Pina Cabral, Joao. 2014. «World: An Anthropological Examination (part 1)». Hau: Journal of Ethnographic Theory 4 (1): 49-73. https://doi.org/10.14318/hau4.1.002
Reid Andrews, George. 2004. Afro-Latin America. 1800-2000. Oxford: Oxford University Press.
Santiago, Jorge P. y Marina Rougeon (eds.). 2013. Pratiques religieuses afro-américaines. Terrains et expériences sensibles. Louvain-la-Neuve: Academia-L'Harmattan.
Viveiros de Castro, Eduardo. 2009. Canibal Metaphysics. Minneapolis: Univocal Press.
Published
How to Cite
Issue
Section
License
Copyright (c) 2022 Consejo Superior de Investigaciones Científicas (CSIC)

This work is licensed under a Creative Commons Attribution 4.0 International License.
© CSIC. Manuscripts published in both the print and online versions of this journal are the property of the Consejo Superior de Investigaciones Científicas, and quoting this source is a requirement for any partial or full reproduction.
All contents of this electronic edition, except where otherwise noted, are distributed under a Creative Commons Attribution 4.0 International (CC BY 4.0) licence. You may read the basic information and the legal text of the licence. The indication of the CC BY 4.0 licence must be expressly stated in this way when necessary.
Self-archiving in repositories, personal webpages or similar, of any version other than the final version of the work produced by the publisher, is not allowed.







