Textual Objects and Collaborative Devices: On Ethnography as a Public Platform

Authors

  • Isaac Marrero Guillamón Goldsmiths, University of London

DOI:

https://doi.org/10.3989/rdtp.2016.01.001.02

Keywords:

Public Art, London, Methodology, Experimental Collaboration

Abstract


This article traces the unexpected becoming-collaborative of an ethnographic project in Hackney Wick (London) which looked at the role of art in the critique to the urban transformations brought about by the 2012 Olympics. The derailment of what should have been a conventional fieldwork exercise led to a reformulation of the ethnographic practice as a collaborative device aimed at the production of textual objects which in turn acted as public forums or platforms. This process is here discussed as a recursive (or parasitic) gesture which appropriates native ways of doing.

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References

Hallam, Elizabeth y Tim Ingold (eds.). 2007. Creativity and Cultural Improvisation. Oxford: Berg.

Holmes, Douglas R. y George E. Marcus. 2008. «Collaboration Today and the Re-Imagination of the¡ Classic Scene of Fieldwork Encounter». Collaborative Anthropologies 1(1): 81–101. http://dx.doi.org/10.1353/cla.0.0003

Kelty, Christopher et al. 2009. «Collaboration, Coordination, and Composition: Fieldwork after the Internet», en James D. Faubion y George E. Marcus (eds.), Fieldwork Is Not What It Used to Be: Learning Anthropology's Method in a Time of Transition: 184–206. Ithaca y Londres: Cornell University Press.

Marcus, George. 2010. «Contemporary Fieldwork Aesthetics in Art and Anthropology: Experiments in Collaboration and Intervention». Visual Anthropology 23(4): 263–77. http://dx.doi.org/10.1080/08949468.2010.484988

McLagan, Meg y Yates McKee (eds.) 2012. Sensible Politics: The Visual Culture of Nongovernmental Activism. Nueva York; Cambridge, MA: Zone Books - MIT Press.

Powell, Hilary e Isaac Marrero-Guillamón. 2012. The Art of Dissent: Adventures in London's Olympic State. Londres: Marshgate Press.

Rappaport, Joanne. 2008. «Beyond Participant Observation: Collaborative Ethnography as Theoretical Innovation». Collaborative Anthropologies 1 (1): 1–31. http://dx.doi.org/10.1353/cla.0.0014

Sansi, Roger. 2015. Art, Anthropology and the Gift. Londres y Nueva York: Bloombury.

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Published

2016-06-30

How to Cite

Marrero Guillamón, I. (2016). Textual Objects and Collaborative Devices: On Ethnography as a Public Platform. Disparidades. Revista De Antropología, 71(1), 31–38. https://doi.org/10.3989/rdtp.2016.01.001.02

Issue

Section

Emergent Ethnography- Experimental Collaborations: an Ethnographic Modality. A. Estalella and T. Sánchez Criado (coord.)