II feticcio e il visuale
DOI:
https://doi.org/10.3989/rdtp.1998.v53.i2.395Abstract
The author illustrates the application of methodological fetishism to the new «visual goods» and to the «biography» of wealth. Three aspects of current visual communication can be subject to ethnographic scrutiny: the bodywork of a car (of an Opel-Tigra, for example), a wall (such as the Berlín Wall) and an inorganic body (such as a metropolitan counterculture). The author aims at the (iissolution of these visual fetishes.
Downloads
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 1998 Consejo Superior de Investigaciones Científicas (CSIC)
This work is licensed under a Creative Commons Attribution 4.0 International License.
© CSIC. Manuscripts published in both the print and online versions of this journal are the property of the Consejo Superior de Investigaciones Científicas, and quoting this source is a requirement for any partial or full reproduction.
All contents of this electronic edition, except where otherwise noted, are distributed under a Creative Commons Attribution 4.0 International (CC BY 4.0) licence. You may read the basic information and the legal text of the licence. The indication of the CC BY 4.0 licence must be expressly stated in this way when necessary.
Self-archiving in repositories, personal webpages or similar, of any version other than the final version of the work produced by the publisher, is not allowed.
