Ciguri. Voyage(s) au pays des Tarahumaras
DOI:
https://doi.org/10.3989/rdtp.1998.v53.i2.397Abstract
The author discusses the problems involved in ethnographic film-making, specifically in the making of a film discourse of one's own. She deems it necessary to construct an ideational «scenario» in which to capture the múltiple details of the reality that is to be filmed. The visual representation of Antonin Artaud's Voyage of 1936 to Tarahumara territory, in México, is a case in point: a unique project which combines literature and film-making, film-making and ethnology.
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Published
1998-12-30
How to Cite
Carasco, R. (1998). Ciguri. Voyage(s) au pays des Tarahumaras. Disparidades. Revista De Antropología, 53(2), 241–249. https://doi.org/10.3989/rdtp.1998.v53.i2.397
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